Vienna Acoustics, an Austrian music company, named one of their speakers "The Hampson Edition. [15] The year included many notable performances, including: the Rossini 200th birthday gala at Avery Fisher Hall, the title role in Britten's Billy Budd at the Met, the Count in Le nozze di Figaro at Florence's Maggio Musicale conducted by Zubin Mehta, Brahms' Ein deutsches Requiem with Daniel Barenboim at the Chicago Symphony Orchestra, and two performances of Schumann's Dichterliebe: one in Geneva and the other in his first recital at Carnegie Hall.[16]. In July, he made yet another role debut: Wolfram in Wagner's Tannhuser, a role that would later win him the 2002 Grammy Award for Best Opera Recording. Shortly after, he made his Metropolitan Opera debut on October 9, 1986 as the Count in Le nozze di Figaro. Among other season highlights include concerts with the National Symphony Orchestra and Christoph Eschenbach, the Munich Philharmonic and Zubin Mehta, the Los Angeles Philharmonic and Gustavo Dudamel, the Pittsburgh Symphony and Manfred Honeck and the Israel Philharmonic and Zubin Mehta. Original file (800 1,200 pixels, file size: 194 KB, MIME type: image/jpeg). In June, Hampson seized control of his media output and established his own independent record label, Thomas Hampson Media (THM), re-releasing six albums through iTunes. In February 1996, President Bill Clinton extended Hampson's first invitation to sing at the White House during a state dinner honoring French President Jacques Chirac. Kauna unahang parabula na inilimbag sa bhutan? She received her medical degree from University of Michigan Medical School and has been in practice 2 years. In October he dbuted yet another role: Antonio in Donizetti's rarely performed Linda di Chamounix at the Vienna State Opera. That year, he went on to perform in a number of significant productions, including Das Lied von der Erde at Carnegie Hall under the baton of James Levine, a Live from Lincoln Center telecast with Kathleen Battle,[23] a performance of Britten's War Requiem in Rome conducted by Wolfgang Sawallisch, a recital of all of Gustav Mahler's songs (Hampson's new critical edition) for the Mahler Festival at Concertgebouw, and another engagement with Sawallisch and the Philadelphia Orchestra at the Academy of Music. Countess Andrea Herberstein, in a dress she designed herself and sewn by Viennese seamstress Marlene Luppi, attends the Diamond Soiree Gala, as part. By 1990, his manager was booking a United States recital tour for the 1992-93 season to solidify his client's position, and Hampson's recording career was flourishing. after their living together for a couple of decades. [20] He then embarked on a five-month tour that led him to over twenty cities, featuring recitals debuts in Reutlingen, State College, Washington, D.C., Iowa City, Fort Worth, Quebec, and Buffalo, New York. We will update Thomas Hampson's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible. Through a series of dedicated Song Projects and in collaboration with key academic and cultural partners . What are the 4 major sources of law in Zimbabwe? [51] He also took once more to the role of Athanael in Massenet's Thas, again opposite Rene Fleming[52] and sang at the opening nights of both the Metropolitan Opera and Carnegie Hall. "He even brushed up on his archery," von Stade adds, "which saved all our lives." In July, he opened the Mostly Mozart Festival in a telecast Live from Lincoln Center, and then in August he performed at the Salzburg Festival with a solo recital of Barber and Mahler. In 2009, as part of the Metropolitan Opera's 125th Anniversary celebration, Hampson sang the last scene of Parsifal with tenor Plcido Domingo. Mission. He also appeared in Tannhuser once more, directed by Otto Schenk and conducted by Mark Elder. "He loves to dig in and tear a contract apart," Benson says. "Every time I'm presented to the public as someone who sells tickets," he says, "the more naked I become and the more concerned I get because" -- he lowers his voice, with feeling -- "I don't want to let anyone down.". In 1992, he was named the Musical America's Singer of the Year, alongside John Corigliano, Robert Shaw, Christoph von Dohnnyi, and Yo-Yo Ma. In 1990, Hampson released his first solo recital album on Teldec titled Des Knaben Wunderhorn, in collaboration with Geoffrey Parsons. [49] In May, he performed with the San Francisco Symphony at Carnegie Hall, to great praise.[50]. Optimieren Sie Ihren Workflow mit unserem erstklassigen Digitalen Asset Management System. Mnchen (ots) - Star-Bariton Thomas Hampson (55) hat heimlich geheiratet. Through the Hampsong Foundation, which he founded in 2003, he employs the art of song to promote intercultural dialogue and understanding Three days later, he sings "Don Giovanni" in Central Park as part of the Chemical Bank "Met in the Park" series, and he appears in three operas at the Metropolitan next season, including the title role in Benjamin Britten's "Billy Budd." His soft-grained, lyric baritone, large enough to soar over a full-blown, Mahlerian orchestra, is not yet heavy enough for dramatic baritone roles like Verdi's "Rigoletto" or Iago, and so far, he has wisely resisted the temptation to push it to its limits. Hampson began 1993 by performing his first rendition of the title character in Thomas' Hamlet in Monte Carlo. John Browning, Geoffrey Parsons, Wolfram Rieger, Craig Rutenberg, Wolfgang Sawallisch), orchestras (incl. Daniel Barenboim, Christoph Eschenbach, Daniele Gatti, Vladimir Jurowski, James Levine, Fabio Luisi, Kurt Masur, Zubin Mehta, Seiji Ozawa, Antonio Pappano, Michael Tilson Thomas, and Franz Welser-Mst). [17] 1993 also saw the beginning of Hampson's institutional involvement in the classical world, when he gave a series of master classes at the Tanglewood Festival in Lenox, Massachusetts. . He also made his first appearance as Riccardo in Bellini's I Puritani at the Metropolitan Opera, his performance being hailed as "the most serious bel canto effort" by the Metropolitan Opera Guild. Thomas Hampson attends MANHATTAN SCHOOL OF MUSIC Concert Gala 2010 Honoring MARILYN HORNE at Tribeca Rooftop on April 22, 2010 in New York City. Grow your brand authentically by sharing brand content with the internets creators. . The performance was subsequently recorded for EMI/Angel. Hampson begins interviews in a formal manner, speaking in a smooth, cultivated tone and peppering his sentences with pedantic phrases like "as it were." He has one daughter, Meghan, from his first marriage, which ended in divorce in 1986. To preserve these articles as they originally appeared, The Times does not alter, edit or update them. His public feud with Peter Hemmings, the respected general director of the Los Angeles Music Center Opera, has been variously attributed to a disagreement over repertoire or working conditions. [61] In 2013, he recorded Verdi's Simon Boccanegra for Decca Classics, with costars Kristine Opolais and Joseph Calleja. As such, in March 2010 he spearheaded the first-ever live streaming classical music available on a mobile app: a master class on Mahler songs, hosted by the Manhattan School of Music's Distance Learning Program. [15], In 1992, he was named the Musical America's Singer of the Year, alongside John Corigliano, Robert Shaw, Christoph von Dohnnyi, and Yo-Yo Ma. [55] In November, Hampson launched www.songofamerica.net, an interactive database that details the culture and history of American Song and re-embarked on his "Song of America" tour, holding 13 recitals between July 2009 and February 2010. ", He soon began studies in music at Fort Wright College in Spokane with Sister Marietta Coyle, a Catholic nun and respected vocal instructor in the area. That year, he went on to perform in a number of significant productions, including Das Lied von der Erde at Carnegie Hall under the baton of James Levine, a Live from Lincoln Center telecast with Kathleen Battle, a performance of Britten's War Requiem in Rome conducted by Wolfgang Sawallisch, a recital of all of Gustav Mahler's songs (Hampson's new critical edition) for the Mahler Festival at Concertgebouw, and another engagement with Sawallisch and the Philadelphia Orchestra at the Academy of Music. In May, he held a recital at the Supreme Court of the United States. All structured data from the file namespace is available under the. From this point forward, he was recognized as "among the leading lyric baritones of the late century.". (800 1,200 pixels, file size: 194 KB, MIME type: https://creativecommons.org/licenses/by-sa/2.0, Creative Commons Attribution-Share Alike 2.0, https://www.flickr.com/photos/95704119@N08/14323766607, https://www.flickr.com/people/95704119@N08, Creative Commons Attribution-ShareAlike 2.0 Generic, https://www.flickr.com/photos/vipevents/14323766607/, https://commons.wikimedia.org/w/index.php?title=File:2014_Andrea_Herberstein,_Thomas_Hampson_(14323766607).jpg&oldid=491506868, Creative Commons Attribution-ShareAlike License. The latter genre has had its share of critics. Thomas Hampson, Andrea Herberstein, Teresa Medearis, Gary Garabedian and Karen Kubin attend 2013 CONSERVATORY GALA Honoring THOMAS HAMPSON on April 20th 2013 in San Francisco, CA. One of the earliest was a 1982 production of "Cosi Fan Tutte" at the Opera Theater of St. Louis. His first solo album -- art songs set to text from "Des Knaben Wunderhorn," a collection of German folk poetry -- was named 1990 "Recording of the Year" by Stereo Review, the fifth award since its release by Teldec. In August he made another debut in Busoni's Doktor Faust. Instead, you're turned willy-nilly into a hysterical mess." In 1991, Hampson opened the New York Philharmonic season in a Live from Lincoln Center telecast, singing Aaron Copland's Old American Songs in a performance conducted by Kurt Masur. In 1984, he began an engagement at the Zrich Opera House as a principal lyric baritone, among others participating in the legendary Harnoncourt-Ponnelle Mozart cycle, including all of the Da Ponte operas and the title role of the famed 1987 production of Don Giovanni. His U.S. recital debut occurred April 14, 1986 at The Town Hall in New York, where The New York Times praised him for "good looks, a commanding stage presence and, even within the confines of the recital format, an apparently vivid theatricality". Now both divorced, they maintain a home in Vienna with Herberstein's three children; Hampson's 9-year-old daughter lives with his former wife in Washington state. Anyone can read what you share. Born in Elkhart, Indiana, Hampson has two older sisters, with whom he sang in church as a child. Contribute to chinapedia/wikipedia.en development by creating an account on GitHub. 2023 Getty Images. Then came two all important auditions: the first, in 1985 with the conductor James Levine, resulted in several engagements with the Metropolitan; the second, in 1986 with Leonard Bernstein, ultimately led to three recordings for Deutsche Grammophon with that revered maestro. But soon his speech grows more natural, the "as it weres" giving way to four-letter words and that ubiquitous American expression, "you know," which he invariably utters as a question. [45] Hampson also sang at the Salzburg Festival once more, this time in honor of Mozart's 250th Birthday. Hampson has a pliant, lyric baritone, velvety smooth in tone and caressingly expressive in its upper register. . Extras. Late in the year, Hampson found himself engaged at the Vienna State Opera once more, this time debuting the title role of Rossini's Guillaume Tell. Elisabeth Schwarzkopf, the revered soprano, heard him sing there, and invited him to study with her when he came to Europe. (Photo by Gisela Schober/Getty Images). ", Above all, Hampson feels he is able to bring more to a role than he could 10 years ago, and not just because of the inevitable maturation. A teacher walks into the Classroom and says If only Yesterday was Tomorrow Today would have been a Saturday Which Day did the Teacher make this Statement? But that didn't stop Hampson from asking to be released from his contract for a 1988 San Francisco Opera production of "Cosi Fan Tutte" in order to make his first recording with Leonard Bernstein. That year, he continued to add to his repertoire with performances including Il barbiere di Siviglia at The Royal Opera House, Covent Garden and the Met, his debut in the role of Posa in Verdi's Don Carlo in Zrich, the title role in Henze's Der Prinz von Homburg, and Chorebe in Les Troyens by Berlioz at the Metropolitan Opera. Appearing again with Rene Fleming, Hampson also put out a recording of Massenet's Thas late in the year. Hadley suggests that Hampson's driven personality might reflect a need to prove that "a kid who grew up like everyone else" can succeed at the highest echelons of the elitist classical-music business. As a subscriber, you have 10 gift articles to give each month. ", Already, Hampson feels the pressure. He can walk into a party, demand attention, and everyone falls in love with him.". We live together in Vienna, so we feel rather married, but we haven't found time to officially do this deed.". Both performances were broadcast worldwide. The center of his Verdi repertoire remains Posa in Don Carlo, Germont in La traviata, the title roles in Macbeth and Simon Boccanegra, and more recently also Amfortas in Wagner's Parsifal and Scarpia in Puccini's Tosca. Late in the year, Hampson found himself engaged at the Vienna State Opera once more, this time debuting the title role of Rossini's Guillaume Tell. , CAN YOU ANSWER the door?" Andrea Herberstein and Thomas Hampson attend MANHATTAN SCHOOL OF MUSIC Concert Gala 2010 Honoring MARILYN HORNE at Tribeca Rooftop on April 22, 2010 in New York City. If you sit a violinist in a Kleenex box, you'll have trouble hearing him. The same year, he released a Cole Porter tribute album on EMI/Angel. The couple met in 1986, when Herberstein was general manager of the Styriarte Summer Festival in Austria and Hampson was scheduled to sing a Purcell work with the conductor Nikolaus Harnoncourt. Andrea. . That year also saw the debut of the Song of America radio series, co-produced by the Hampsong Foundation and the WFMT Radio Network of Chicago. This page was last edited on 16 October 2020, at 14:09. For other uses, see, University of Southern California Thornton School of Music, Metropolitan Opera National Council Auditions, Orchestra dell'Accademia Nazionale di Santa Cecilia, Orchestre national du Capitole de Toulouse, Antarctic explorers' race to reach the South Pole, James Levine's 25th Anniversary Metropolitan Opera Gala, "About The Library of Congress Song of America Project", "Mahler 'has overwhelmed my life,' singer says", "National Council Auditions, Past Winners", "Home Entertainment/Recordings: Recent Releases", "Review/Music; Bernstein's Latest Thoughts on 2 of His Specialties", "Review/Opera; Hampson In 'Barbiere' At the Met", "Guide to the Recognitions and Honorary Degrees Records 18922002", "The Classical Music Awards 1994: Stars come together in a new wide world: Artistic barriers are falling in a celebration of the whole field, writes Robert Maycock", "San Francisco Opera Performance Archive: The Dangerous Liaisons", "Music Review; Battle and Hampson: All Charm in a Parade of Hits", "I Hear America Singing Project (Thirteen/WNET 1996)", "Music Review; Von Stade Sings in a Work About Her Father at War", "Opera Review; A Deep Voice Expresses A Consuming Sadness", "Music Review; An Undercurrent of Drama In a Tightly Plotted Recital", "Opera Review; Hampson Embraces Verdi in Vienna", "Music Review; A Voice and Piano Team Pays Hugo Wolf His Due", "Music; Reaching the Top of the Opera World by Accident", "Arts, Briefly; Library of Congress Tour", "Schumann Rarity: An Opera of Bits and Pieces of 'Faust', "Visitors From San Francisco Burnish a European Patina", "From the Attic, a Verdi Craves Attention", "One Diva to Another: This Role Is Divine", "Opera: Thomas Hampson, Baritone and Big Thinker", "Thomas Hampson Honoured by US Establishment", "Members of the American Academy, Listed by election year, 20002014", "A Journey of Heroism That Led to the Towers", "Thomas Hampson Hosts 13-Week "Song of America" Radio Series, Syndicated by WFMT Radio Network to Radio Stations Across U.S. From October 2011", "Thomas Hampson and Wolfram Rieger awarded the Hugo Wolf Medal Thomas Hampson", "Luca Pisaroni's passion for music leads to a Lyric Opera debut in "Rinaldo", Official website of the Hampsong Foundation, Understanding Your Life Through Music: A Mahler Scholar Brings His Passion to DC, Thomas Hampson in photographs by Wolf Kettler, Interview with Luiz Gazzola, 4 April 2012, https://en.wikipedia.org/w/index.php?title=Thomas_Hampson&oldid=1140191481, Members of the European Academy of Sciences and Arts, Honorary Members of the Royal Academy of Music, Fellows of the American Academy of Arts and Sciences, Edison Classical Music Awards Oeuvreprijs winners, Short description is different from Wikidata, Articles to be expanded from December 2018, Creative Commons Attribution-ShareAlike License 3.0, An Old Song Re-Sung, EMI Digital, B000002RRM (1991), Richard Danielpour: Songs of Solitude & War Songs, conducted by Giancarlo Guerrero, Naxos, 8.559792 (2016), Tides of Life: Channel Classics, 0723385389170 (2017), Elgar: The Dream of Gerontius, conducted by.
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